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Courier joins George Nelson's Home Desk, Jean Prouvé's Compas Direction and Charles and Ray Eames's EDU in an illustrious line of aesthetically appealing objects that are both desk and sculpture. Its contours can be read as an expression of similar artistic verve, but they also testify to the designer's flair for form and composition as well as his technical expertise.
Viewed from the side, the desk's silhouette recalls a serif letter design – hence the name Courier, which is one of the best-known serif typefaces.
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